With Gone by Charli XCX and Christine and the Queens, both the hollow baseline and crisper percussion come through thick, fast and defined, making it almost impossible to criticize the speaker’s low-end performance. As it happens, we’re pleasantly reminded of it instead. Had we not been so well acquainted with JBL’s penchant for sonic excellence, we’d be shocked how clear and musical this unassuming little speaker sounds.
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Whether we subject the mini speaker to Mac Miller’s languid-yet-sharp rapping or Explosions in the Sky’s post-rock instrumentalism, the JBL delivers it with stark clarity, lashings of detail and more than a hint of dynamics. Like a mutt suffering from small-dog-syndrome, the Flip 5 demands to be heard (the difference is, you'll actually want to hear it). That on-paper promise materializes in practice, too.
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